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Title details for Biography of X by Catherine Lacey - Available

Biography of X

A Novel

Audiobook
2 of 2 copies available
2 of 2 copies available
When X—an iconoclastic artist, writer, and polarizing shape-shifter—falls dead in her office, her widow, CM, wild with grief and refusing everyone's good advice, hurls herself into writing a biography of the woman she deified. Though X was recognized as a crucial creative force of her era, she kept a tight grip on her life
story. Not even CM knows where X was born, and in her quest to find out, she opens a Pandora's box of secrets, betrayals, and destruction. All the while, she immerses herself in the history of the Southern Territory, a fascist theocracy that split from the rest of the country after World War II, and which finally, in the
present day, is being forced into an uneasy reunification.
A masterfully constructed literary adventure complete with original images assembled by X's widow, Biography of X follows CM as she traces X's peripatetic trajectory over decades, from Europe to the ruins of America's divided territories, and through her collaborations and feuds with everyone from Bowie and Waits to
Sontag and Acker. At last, when she finally understands the scope of X's defining artistic project, CM realizes her wife's deceptions were far crueler than she imagined.
Pulsing with suspense and intellect while blending nonfiction and fiction, Biography of X is a roaring epic that plumbs the depths of grief, art, and love. In her most ambitious novel yet, Catherine Lacey pushes her craft to its highest level, introducing us to an unforgettable character who, in her tantalizing mystery,
shows us the fallibility of the stories we craft for ourselves.
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    • Publisher's Weekly

      Starred review from January 30, 2023
      Lacey follows up Pew with an audacious novel of art and ideas set in an alternate late 20th century. It comprises a book titled Biography of X, which was published in 2005 by a journalist named C.M. Lucca. That book’s subject, X, a pseudonymous multidisciplinary art star, reaches cult status as a novelist in 1973, when she’s in her 20s (in one of many deliberately anachronistic references, X receives fan mail from a yet-to-be published Denis Johnson). Later, X travels to West Berlin to record with David Bowie, and, back in New York City, becomes a controversial performance artist. Lucca meets X in the mid-1980s, and they marry in 1990. Same-sex marriages are legal, thanks to progressive advances decades earlier pushed through by Emma Goldman, FDR’s chief of staff. Goldman’s agenda, though, led to a Southern secession in 1945. Shortly after the country is reunified in 1996, X dies from an unspecified cause. After an unauthorized biography of X is published, Lucca embarks on a project to set the record straight. She begins in the small Mississippi town where X was born, which X kept a secret to protect her from agents of the Southern Territory. As Lucca conducts interviews over the next several years, she begins to doubt how well she knew X after all. Lacey does a brilliant job convincing readers of Lucca’s chops as a reporter, even as Lucca becomes unhinged. The author also perfectly marries her invented history with her study of a shape-shifting artist, with X refashioning herself both to escape her ultraconservative homeland and to build a vehicle for her creative expression. This is brilliant. Agent: Jin Auh, Wiley Agency.

    • BookPage
      Catherine Lacey’s fourth novel, Biography of X, is a feat of technical brilliance, a fictional biography about a mysterious and notorious 20th-century artist known as X. The biographer is X’s widow, C.M. Lucca, who insists that she’s telling X’s story, but as her research into her wife’s past reveals more and more shocking surprises, it becomes clear that she’s actually telling her own story—and that of the country she lives in. In the novel’s America, most of the South seceded in 1945 to become the Southern Territory, a fascist theocracy divided from the Northern and Western territories by a wall and ruled by a ruthless autocratic dictatorship. Though the novel’s world building lacks a critical engagement with race, which Lacey only mentions in passing, and though it sometimes feels more like a stylized thought experiment than a book with a beating, human heart, Biography of X is still a stunning achievement. It is nearly impossible not to get lost in Lacey’s exquisitely detailed version of America. Nothing about it feels fictional, from the extensive footnotes, images and assorted ephemera included, to the slightly altered references to real people and events (activist Emma Goldman and David Bowie, among others). Even more compelling is the assuredness with which Lacey inhabits the persona of C.M. Lucca. There’s something unhinged and upsetting—but legible, even understandable, at times—in Lucca’s unwavering devotion to her late wife, even as she spirals deeper into the disturbing realities of X’s life and work. Lucca isn’t merely an unreliable narrator; her involvement in the story she’s trying to tell is too complicated and multilayered to be explained through a simple narrative device. Through Lucca, and through X, Lacey explores bigger, thornier questions about authorship and identity, art and futility, obsession and abuse. She pokes at reality and perspective, probing what it means to seek out the truth of another person, even—maybe especially—when that truth proves impossible to find. Biography of X is a dazzling literary chimera, at once an epic and chilling alternate history of the United States and an intimate portrait of a woman coming apart at the seams. It is also, in its own subtle way, a love letter to writing and writers. With the pacing of a thriller and the careful consideration of a definitive biography, this is a sure and surprising novel that will haunt its readers for quite some time.

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