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Tiff

A Life of Timothy Findley

Audiobook
1 of 1 copy available
1 of 1 copy available

Timothy Findley (1930-2002) was one of Canada's foremost writers—an award-winning novelist, playwright, and short-story writer who began his career as an actor in London, England. Findley was instrumental in the development of Canadian literature and publishing in the 1970s and 80s.

During those years, he became a vocal advocate for human rights and the anti-war movement. His writing and interviews reveal a man concerned with the state of the world, a man who believed in the importance of not giving in to despair, despite his constant struggle with depression. Findley believed in the power of imagination and creativity to save us.

Tiff: A Life of Timothy Findley is the first full biography of this eminent Canadian writer. Sherrill Grace provides insight into Findley's life and struggles through an exploration of his private journals and his relationships with family, his beloved partner, Bill Whitehead, and his close friends, including Alec Guinness, William Hutt, and Margaret Laurence. Based on many interviews and exhaustive archival research, this biography explores Findley's life and work, the issues that consumed him, and his often profound depression over the evils of the twentieth-century. Shining through his darkness are Findley's generous humour, his unforgettable characters, and his hope for the future. These qualities inform canonic works like The Wars (1977), Famous Last Words (1981), Not Wanted on the Voyage (1984), and The Piano Man's Daughter (1995).

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    • Publisher's Weekly

      Starred review from June 22, 2020
      Grace (Landscapes of War and Memory), a scholar of Canadian literature and culture, provides a superb biography of Toronto-born novelist and playwright Timothy Findley (1930–2002). Sifting through Findley’s prodigious archive of journals and letters, she traces his path toward finding his identity: as a Canadian who initially moved abroad to pursue his ambitions, as a gay man who faced familial and societal homophobia, and as an artist whose early interest in acting gave way to writing. Grace acknowledges key figures in Findley’s life, including actors Alec Guinness and Ruth Gordon—the former mentored Findley’s nascent London stage career; the latter encouraged him to pursue fiction writing as well. Most critically, Grace shows how his partner, Bill Whitehead, whom he met in 1962, provided the acceptance Findley needed; it was at their rural Ontario farmhouse where all his major works were written. Grace also provides valuable background on Findley’s working methods—for example, how the exacting process of reworking his 1967 debut, The Last of the Crazy People, transformed him into a lifelong “obsessive reviser” who carefully preserved all his drafts just “in case might need them.” Written with great sensitivity and attention to detail, Grace’s comprehensive biography succeeds in giving a complete picture of its subject as an individual and an artist. Agent: John Pearce, Westwood Creative Artists.

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  • English

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