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Still Life

Adventures in Taxidermy

ebook
2 of 2 copies available
2 of 2 copies available
After her curiosity is piqued by a safari gone awry, a journalist delves into the curious world of taxidermy and shares her findings.
It's easy to dismiss taxidermy as a kitschy or morbid sideline, the realm of trophy fish and jackalopes or an anachronistic throwback to the dusty diorama. Yet theirs is a world of intrepid hunter-explorers, eccentric naturalists, and gifted museum artisans, all devoted to the paradoxical pursuit of creating the illusion of life.
Into this subculture of passionate animal-lovers ventures journalist Melissa Milgrom, whose journey stretches from the anachronistic family workshop of the last chief taxidermist for the American Museum of Natural History to the studio where an English sculptor, granddaughter of a surrealist artist, preserves the animals for Damien Hirst's most disturbing artworks. She wanders through Mr. Potter's Museum of Curiosities in the final days of its existence to watch dealers vie for preserved Victorian oddities, and visits the Smithsonian's offsite lab, where taxidermists transform zoo skins into vivacious beasts. She tags along with a Canadian bear trapper and former Roy Orbison impersonator—the three-time World Taxidermy Champion—as he resurrects an extinct Irish elk using DNA studies and Paleolithic cave art for reference; she even ultimately picks up a scalpel and stuffs her own squirrel. Transformed from a curious onlooker to an empathetic participant, Milgrom takes us deep into the world of taxidermy and reveals its uncanny appeal.
"Hilarious but respectful." —Washington Post
"Engrossing." —New Yorker
"[A] delightful debut . . . Milgrom has in Still Life opened up a whole world to readers." —Chicago Tribune
"Milgrom's lively account will appeal to readers who enjoyed Mary Roach's quirky science books." —Library Journal
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    • Publisher's Weekly

      Starred review from November 9, 2009
      In this absorbing blend of bright-eyed reportage and hands-on participation, journalist Milgrom demystifies the creepy art of bringing dead creatures back to life and dispels the myth that taxidermists merely “stuff animals.” The author’s quest to understand the compulsion of obsessed hobbyists and exacting scientists alike to duplicate what nature has created starts in a New Jersey family workshop, where three generations—including the last chief taxidermist for the American Museum of Natural History—have mounted everything from three-toed sloths to fireflies. She visits the English sculptor who preserves dead animals for British artist Damien Hirst’s displays; explores the arcane subculture of American taxidermy conventions where hundreds vie for best in show awards; and wanders the halls of the bankrupt Mr. Potter’s Museum of Curiosities as collectors bid for auction lots of Victorian-era displays of squirrels drinking port and “bespectacled gentlemen lobsters.” Though her own squeamish attempts to preserve a squirrel are less than stellar, Milgrom’s initial uneasy curiosity blossoms into genuine appreciation for a true art form, an enthusiasm the author imparts with style in this substantial study.

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  • OverDrive Read
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  • English

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