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Somebody Else's Century

East and West in a Post-Western World

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2 of 2 copies available
2 of 2 copies available
From one of our foremost experts on Asia and its history comes this brilliant dissection of the relationship between East and West.
 
In three succinct essays, Patrick Smith investigates the East’s endeavor to adopt Western technology and all that we consider modern. He underscores a crucial distinction between modernization (the simple emulation of the West) and the true task of “becoming modern.” He examines the strategies that three prominent cultures—those of Japan, China, and India—evolved as they encountered materialistic foreign cultures and imported ideas while defending their own traditions. The result, Smith explains, has often been called “doubling”—a division of the self wherein Asians are receptive to Western products and ideas but simultaneously reject these same imports to emphasize the validity of the “unmodern.”
 
Employing an exceptional combination of reflection and reportage, Smith also examines the often troubled relationship Asians have with history as a result of their encounters with the West. Finally, he considers Asia’s twenty-first-century attempt to define itself without reference to the West for the first time in modern history. The author foresees a new balance in the East-West dialogue—one in which the East transcends old ideals of nationhood (another Western import). Smith asserts that there are fundamental lessons in Asia’s long struggle with the modern: In the twenty-first century, the East will challenge the West just as the West once challenged the East.
 
This is a book of exceptional significance and extraordinary depth.
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    • Publisher's Weekly

      July 12, 2010
      Written explicitly for a Western audience, this searching and philosophical text eschews the demographic and statistics-driven approach to the rise of Asia, opting instead for an essayistic and existential meditation on modernity and modernization. Smith (The Nippon Challenge) focuses on China, India, and Japan and skips nimbly between topics as varied as raids on an Indian temple dating back a millennium, the impact of the Opium Wars on China's development, and Nietzsche's reflections on travel and "the foreign." The author examines each country's relationship to economic transformation and to their pasts, describing the new century as a "post-Western" era, one in which Westerners will confront the challenge that this book suggests has largely defined the contemporary Asian experience, the sense of living in an era that does not belong "to us." This demanding, rich book provides few answers, but offers a valuable intellectual frame for approaching the evolving relationship between the East and the West.

    • Kirkus

      June 1, 2010

      Three well-hewn essays by longtime Asia observer Smith (Japan: A Reinterpretation, 1997, etc.) explore the West's heavy shadow over Japan, China and India, and new attempts to shake it off.

      The author has trekked through these countries asking questions about what is "real" in their cultures and histories and what has been assumed from the West—or, what is often manifested as nostalgia for the old ways, and what emerges as ressentiment ("submerged sensation of impotence") toward the forcibly new and modern. Since the 19th century, when modernization was introduced in these countries, the Asian self has divided, or "doubled," into the modern self, which assimilated Western habits and notions of time, and the traditional, which treasured the indigenous and authentic. In "Calligraphy and Clocks," Smith looks at the blatant effects of Westernization in places such as the village of Kitakyushu, Japan, transformed into a steel town by the postwar "Japanese miracle"; Guangzhou, China, the meeting between China's past and future, where Deng Xiaoping is quoted as saying, "To get rich is glorious"; and Sandur, India ("the saddest village I have ever seen, though not the poorest by a long way"), where the textile manufacturing so valued by Gandhi has been superseded by mining. The Chinese elemental notions of li (the law of things) and qi (physical matter) have morphed into today's driving concepts of ti (essence) and yong (function)—a transformation, writes Smith, that provides a key to understanding the Asian mindset. In "The Buddhas at Qixia," the author examines each country's manipulation of its past, including Japan's alienation from nature and China's amnesia of the Cultural Revolution. Finally, in "The Skyward Garden," Smith challenges the Western obsession with a nation's having a purpose, incompatible with Eastern ideals, and suggests rather that each country "will have to imagine itself anew."

      Paradoxes aplenty within this serene, astute book, which will invite much discussion.

      (COPYRIGHT (2010) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)

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