Pagan Babies

September 4, 2000
Buscemi offers a standard, dry reading of Leonard's sly new tale, which is appropriate (though his attempt at producing African accents is unconvincing) for the opening scene: Rwanda after its rabid interethnic violence. Unordained priest "Father" Terry Dunn ministers to the local congregants (47 of whom were slashed to death) and shacks up with his housekeeper until he decides to take matters of justice into his own hands. Having arrived in Africa on the lam from a criminal charge in the U.S., Terry returns home to Detroit under similar circumstances. But Buscemi's tone never becomes as lithe as Leonard's tale does in Detroit; his best effort at atmosphere is the smart-alecky tone he gives to Terry's confederate Debbie Dewey, an aspiring stand-up comic just released from prison for having tried to run over the ex-boyfriend who scammed her out of thousands of dollars. Debbie intends to scam him back and joins up with Terry, who has his own shady operation. Debbie's ex fronts for the mob and is in cahoots with a witless hit man called Mutt, who in turn allies himself with an ex-smuggling partner of Terry's. Everyone tries to protect his or her own interest in the rapidly circulating money. One can't help feeling that the abridgement has cut out some vital material before Terry's final return to Rwanda. All in all, though, this is a hugely entertaining story by Leonard--albeit one conveyed only moderately well by Buscemi. Simultaneous release with the Dell hardcover (Forecasts, July 3).

September 4, 2000
The opening paragraph depicts a corner of hell on earth: a church in Rwanda after the recent (real-life) genocide, "a tomb where forty-seven bodies turned to leather.... " That's a grim start for a Leonard book, and the rest of this 36th novel from the old master doesn't shy from its dark promise. The world depicted here is a treacherous place, infested with diseased souls. While some of the spiritually afflicted are villains, however, some are merely scoundrels. It's to the latter that Leonard lends hopeDmost notably to two appealing felons: "Father" Terry Dunn, who ministers to the Rwanda church's surviving flock although he is on the lam and only posing as a priest, and Debbie Dewey, just released after serving three years for driving over her (now ex) husband with a Ford Escort. When Terry guns down four men responsible for the massacre in the church and flees to hometown Detroit, he meets Debbie and the two fall in lust pronto. It takes only minutes for Terry to inform Debbie, who's trying to make it as a stand-up comic telling prison jokes, that he's a sham priest, and only days for him to clue her in on his new scheme: to bilk the soft-hearted for dollars supposedly for Rwandan orphans but really for Terry's pockets. Great idea, Debbie thinks, and why not get the money from her now rich and mob-connected ex, and maybe even from mob boss Tony Amilia himself? The narrative ricochets through the ensuing caper and its gallery of players as lifelike as they are unlikely. As readers watch an erstwhile hoodlum pal of Terry's, one Johnny Pajonny, link up with a dim-witted hitman known as "Mutt," they'll know that they're standing at ground-zero Leonard, surrounded by some of the sweetest prose between covers this year and caught up in a crime thriller that takes admirable chancesDaesthetically and morally. Film rights sold to Universal and Danny DeVito's production company, Jersey Films.