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A Fort of Nine Towers

An Afghan Family Story

ebook
2 of 2 copies available
2 of 2 copies available

The surprising, stunning book that took the publishing world by storm: a coming-of-age memoir of unimaginable perils and unexpected joys, steeped in the rhythms of folk tales and poetry, that is as unforgettable as it is rare—a treasure for readers.
 
Qais Akbar Omar was born in Kabul in a time of relative peace. Until he was 7, he lived with his father, a high school physics teacher, and mother, a bank manager, in the spacious, garden-filled compound his grandfather had built. Noisy with the laughter of his cousins (with whom they lived in the typical Afghan style), fragrant with the scent of roses and apple blossoms, and rich in shady, tucked-away spots where Qais and his grandfather sat and read, home was the idyllic centre of their quiet, comfortable life.
 
But in the wake of the Russian withdrawal and the bloody civil conflict that erupted, his family was forced to flee and take refuge in the legendary Fort of Nine Towers, a centuries-old palace in the hills on the far side of Kabul. On a perilous trip home, Omar and his father were kidnapped, narrowly escaping, and the family fled again, his parents leading their 6 children on a remarkable, sometimes wondrous journey. Hiding inside the famous giant Bamiyan Buddhas sculpture, and among Kurchi herders, Omar cobbles together an education, learning the beautiful art of carpet-weaving from a deaf mute girl, which will become the family's means of support. Against a backdrop of uncertainty, violence and absurdity, young Qais Omar weaves together a story—and a self—that is complex, colourful, and profound.

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    • Publisher's Weekly

      January 28, 2013
      In this painstaking memoir, Kabul carpet seller and Brandeis M.B.A. student Omar recreates an idyllic childhood gradually wrecked by years of civil war and Taliban oppression. One of some 25 cousins who had the run of the family compound constructed on the Kot-e-Sangi mountainside of Kabul by his grandfather, a Pashtun banker who was also a carpet seller, Omar enjoyed an insular early upbringing, surrounded by doting aunts and uncles, luxuriant gardens, kite flying, copious meals, and a stringent education at school and from his own father, a physics teacher and former boxer who ran a gym near the house. As the factious mujahideen (“holy warriors”) began to fight among each other, living in the compound became untenable, and the extended family took refuge on the other side of the mountain in the mansion owned by his father’s carpet-business partner, a former royal residence now semiruined, called the Qala-e-Noborja, or “Fort of the Nine Towers.” Over subsequent years of turmoil, Omar and his family managed to survive the violence and instability besieging Afghanistan, and whenever they ventured out—for example, when Omar accompanied his grandfather to survey the damage at the old house—the results were horrifying. On one of his fantastic nomadic treks north, he even managed to learn carpet-making from a deaf Turkmen girl with exquisite intuitive technique. Omar’s tale strains credulity, but his prose is deliciously forthright, extravagant, somewhat mischievous, and very Afghan in its sense of long-suffering endurance and also reconciliation.

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  • English

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