A Season of Light

Starred review from December 15, 2024
A Nigerian family living in Florida bears deep, abiding, and distressing scars from a long-ago but devastating civil war in their native land. The 2014 kidnapping of 276 Nigerian schoolgirls by Islamic terrorists unhinges an already tightly wound Florida attorney named Fidelis Ewerike, a Nigerian �migr� and father of two who, upon hearing of the kidnapping, decides to place his 16-year-old daughter, Amara, in her bedroom under lock and key. The mass kidnapping reawakens in Fidelis the traumas he sustained as a soldier and prisoner of war in the late-1960s Biafran War, during which his younger sister, Ugochi, went missing. Amara's uncanny resemblance to Ugochi magnifies Fidelis' mad zeal to protect her from faraway peril. ("He believed that if his sister...could be stolen, could disappear into thin air, then the same fate could befall his daughter. Never mind that this was America, not Nigeria.") This bizarre, inexplicable act pitches each of the other Ewerike family members into their own traumas, starting with the infuriated, bewildered Amara, who gets no explanation from her father for her imprisonment, only lots of sweets and his own elaborately cooked, dubiously fashioned meals. "Pickles don't belong in mac and cheese," she dolefully informs her mother, Adaobi, whose futile efforts to release Amara from captivity leave her desperately pursuing solace, even possible solutions, through her deep religious faith. Meanwhile, Amara's 14-year-old brother, Chuk, is compelled by the tumult at home to stand alone in the face of physical and verbal abuse from other boys in the neighborhood. When a gang jumps him, Chuk is rescued by Maksym Kostyk, the 17-year-old son of an alcoholic local handyman (another emotionally damaged �migr�), who offers to give him boxing lessons. Maksym meets Amara, and they find in each other's solitude the foundations of a romance--and a mutual resolve to run away from their respective family crises. The interweaving nightmares and yearnings of these characters are evoked with empathy, tenderness, and intensely lyrical prose by Iromuanya, whose tale of abiding sorrow and its long-term consequences serves as a reminder that, as one of her characters observes, battles might end, but wars never do. An affecting, observant rendering of the immigrant experience in contemporary America.

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