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NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE LOS ANGELES TIMES • NAMED ONE OF THE FIVE BEST ROCK BOOKS OF THE YEAR BY ROLLING STONE
As a singer and songwriter, Gram Parsons stood at the nexus of countless musical crossroads, and he sold his soul to the devil at every one. His intimates and collaborators included Keith Richards, William Burroughs, Marianne Faithfull, Peter Fonda, Roger McGuinn, and Clarence White. Parsons led the Byrds to create the seminal country rock masterpiece Sweetheart of the Rodeo, helped to guide the Rolling Stones beyond the blues in their appreciation of American roots music, and found his musical soul mate in Emmylou Harris. Parsons’ solo albums, GP and Grievous Angel, are now recognized as visionary masterpieces of the transcendental jambalaya of rock, soul, country, gospel, and blues Parsons named “Cosmic American Music.” Parsons had everything—looks, charisma, money, style, the best drugs, the most heartbreaking voice—and threw it all away with both hands, dying of a drug and alcohol overdose at age twenty-six.
In this beautifully written, raucous, meticulously researched biography, David N. Meyer gives Parsons’ mythic life its due. From interviews with hundreds of the famous and obscure who knew and worked closely with Parsons–many who have never spoken publicly about him before–Meyer conjures a dazzling panorama of the artist and his era.
Praise for Twenty Thousand Roads
“Far and away the most thorough biography of Parsons . . . skewers any number of myths surrounding this endlessly mythologized performer.”—Los Angeles Times
“The definitive account of Gram Parsons’ life–and early death. From the country-rock pioneer’s wealthy, wildly dysfunctional family through his symbiotic friendship with Keith Richards, Meyer deftly illuminates one of rock’s most elusive figures.”—Rolling Stone
“Meticulously researched . . . Though Meyer answers a lot of long-burning questions, he preserves Parsons’ legend as a man of mystery.”—Entertainment Weekly
“Meyer gives Parsons a thorough, Peter Guralnick-like treatment.”—New York Post
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Creators
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Publisher
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Release date
January 29, 2008 -
Formats
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OverDrive Read
- ISBN: 9780345507860
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EPUB ebook
- ISBN: 9780345507860
- File size: 3251 KB
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Languages
- English
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Reviews
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Starred review from August 27, 2007
Gram Parsons is remembered as much for wearing sequined cowboy suits on stage and for being illegally cremated in the desert by one of his friends after dying of a drug overdose as he is for the half-dozen albums he played on in the late 1960s and early 1970s, including the Byrds' classic Sweetheart of the Rodeo
. Meyer (A Girl and a Gun
) covers both aspects of the legend, but he gives particular attention to the way Parsons brought together elements of country and rock music to forge a new sound. After a leisurely telling of Parsons's “rich white trash” family drama in Florida and Georgia, including his father's suicide and the barely contained contempt of his mother's family, the biography plunges into his musical career, careening from one band to the next just as Parsons himself did. Meyer is appreciative but never adulatory of Parsons, who he believes threw his talent away; while citing the influence of the Flying Burrito Brothers' debut album, for example, he repeatedly mentions the band's “unbelievably sloppy” sound. This isn't the first biography of Parsons, but Meyer's semidetached stance as a critical fan makes it a valuable one, in the vein of Peter Guralnick or Greil Marcus. -
October 15, 2007
Heir to a fortune, Gram Parsons didnt have to work too hard. Handsome, well-mannered, possessing a strong sense of entitlement, he could be incredibly charming. Coasting through school, he played in folk bands before being turned on to country at Harvard in 1965. He envisioned a Cosmic American Music combining country and R&B, and he introduced it to the hippie culture flourishing on the West Coast. That doesnt seem radical now, what with alt-country and Americana music, but in 1967, Meyer says, The combination of rocker exuberance, roadhouse scholarship, and Nashville session tradition generated a new form. Drawing on extensive interviews, Meyer traces Parsons through recording with the International Submarine Band, the Byrds (with whom he made the acclaimed Sweetheart of the Rodeo), and the Flying Burrito Brothers; befriending the Rolling Stones; and squandering his natural talents in a series of bad decisions. His drug abuse gave even Keith Richards pause, and his 1973 death via overdose was capped by a drunken ad hoc cremation. A fascinating biography of a great pop-music innovator.(Reprinted with permission of Booklist, copyright 2007, American Library Association.)
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